SPECIFIC ASPECTS OF STAGE SPEECH TEACHING

Authors

  • Aydos Utepbergenov

DOI:

https://doi.org/10.47390/SPR1342V4I8Y2024N64

Keywords:

stage speech, performing arts, uzbek theater education, speech techniques, diction, intonation, articulation, theater history.

Abstract

This paper explores the significant role of stage speech in performing arts, particularly within the context of Uzbek theater education. Emphasizing the necessity of nurturing great writers, poets, and creators, the paper discusses how stage speech acts as a bridge between history and the future, playing a crucial role in education. It highlights the importance of mastering speech techniques such as diction, intonation, and articulation for actors to deliver clear and emotionally impactful performances. Drawing from the works of prominent educators like H. Mahmudova and the principles of K.S. Stanislavskiy, the paper analyzes various exercises and methodologies used to enhance speech fluency and clarity in actors. Additionally, it underscores the evolving nature of stage speech, adapting to changing conditions, acting schools, and creative directions throughout theater history. The paper concludes by emphasizing the need for a systematic approach to training that considers individual vocal characteristics, ensuring that every student's voice is resonant, flexible, and durable in any stage and audience conditions. Through the study of stage speech, students can influence and convince their audience effectively, making it an integral part of theater art.

References

1. Qarlibaevna B. A., Yusupbay A., Sabirovna K. K. ABOUT THE ACTIVITY TASKS OF THE EDUCATION SYSTEM IN THE REPUBLIC OF KARAKALPAKSTAN //Ижтимоий фанлар. – 2020. – Т. 2. – №. 3.

2. Inomxo‘jayev S. Fundamentals of Artistic Reading. – T.: O‘qituvchi, 1973.

3. Po‘latov I. Stage Speech. – T.: O‘qituvchi, 1994.

4. Stanislavskiy K.S. An Actor Prepares. – T., 1965.

5. Usnatov R. Methods of Training a Musical Theater Actor – T.: 2008.

6. Hamidova M. Acting in Uzbek Musical Drama. – T.: Fan, 1987.

7. Stanislavskiy K.S. An Actor Prepares. – T., 1965.

8. Usnatov R. Methods of Training a Musical Theater Actor – T.: 2008.

9. Bakhronovna R. D. French explorers' expeditions in Central Asia //International Journal on Integrated Education. – 2019. – Vol. 2. – No. 6. – P. 253-256.

10. Bakhronovna R. D. The scientific expedition of French explorer Charles Eugene Ujfalvy in Central Asia //Asian Journal of Multidimensional Research (AJMR). – 2019. – Vol. 8. – No. 8. – P. 78-85.

11. Sriwiset P., Nurnazar P. The protection of patents on animal-related inventions: Thailand’s problems and solutions //Res Militaris. – 2022. – Т. 12. – №. 1. – С. 73-85.

12. Nurnazar P. Ecology of the soul: Culture, morality, spirituality //Indiana Journal of Agriculture and Life Sciences. – 2022. – Т. 2. – №. 2. – С. 5-8.

13. Nurnazar P. Synergetic Analysis Of The Spiritual Being Of Man //Настоящи Изследвания И Развитие-2020. – 2020. – Т. 13.

14. Алимбетов Ю. Проблема взаимосвязи национального и общечеловеческого //Актуальные проблемы многоуровневой языковой подготовки в условиях модернизации высшего образования. – 2017. – С. 12-16

Published

2024-08-31

How to Cite

Utepbergenov, A. (2024). SPECIFIC ASPECTS OF STAGE SPEECH TEACHING. Ижтимоий-гуманитар фанларнинг долзарб муаммолари Актуальные проблемы социально-гуманитарных наук Actual Problems of Humanities and Social Sciences., 4(8). https://doi.org/10.47390/SPR1342V4I8Y2024N64