RECONSTRUCTIVE ANALYSIS OF WORKS BY ARTISTS WHO WORKED IN THE STILL LIFE GENRE
DOI:
https://doi.org/10.47390/SPR1342V5SI4Y2025N40Keywords:
Aesthetic thinking, professional competence, national identity, still life, modernity, pedagogical approach.Abstract
This article is dedicated to analyzing the role of the still life genre in visual art and exploring its aesthetic and artistic potential. It examines the works of artists who have contributed to this genre through a reconstructive analysis approach. This method allows for a comprehensive study of artworks not only in terms of their external form and subject matter but also by considering the historical context of their creation, the spirit of the era, the individual artistic style of the painter, and the embedded aesthetic concept. The article provides a scholarly and theoretical evaluation of still life works by Western artists such as Pieter Claesz, Jean-Baptiste-Siméon Chardin, Frans Snyders, Igor Grabar, Pavel Kuznetsov, and Pyotr Konchalovsky. At the same time, it analyzes the works of prominent Uzbek artists - including Chingiz Akhmarov, Rauf Tulyaganov, Akmal Nur, Javlon Umarbekov, Bahodir Jalolov, and Bobur Ismoilov - who have contributed significantly to the still life genre. Their works are explored for the interplay of national identity, aesthetic reflection, color harmony, and elements of modernity.
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