CHARACTERISTICS OF DIALOGUES AND CHARACTERISTICS OF CHARACTERISTICS OF CHARACTERISTICS IN SCOTT TUROV'S NOVEL "PREZUMPTION OF INNOCENCE"

Authors

  • Ravshan Niyazov

DOI:

https://doi.org/10.47390/SPR1342V5I8Y2025N22

Keywords:

Scott Turov, Presumption of Innocence, dialogue, psychological realism, legal literature, Rusti Sabich, character characterization, moral dilemma, speech portrait, trial, linguistic ambivalence, feminism, social role, language and truth.

Abstract

This article analyzes the interconnectedness of dialogues and character descriptions in Scott Turov's novel "Presumption of Innocence," revealing the psychological depth of the work, the moral dilemma in the legal environment, and the complexity of social roles. Dialogues are considered not as a means of setting the story in motion, but as the main stylistic element that reveals the inner struggles, mental state, and moral position of the characters. In the structure of the novel, the complex nature of human language is shown through the semantic layers of the dialogues, the ambivalence and ambiguity of the characters' speech. This analysis reveals the synthesis of psychological realism and legal drama in modern legal literature.

References

1. Carmichael, J. Psychological Realism and Ambiguity in Courtroom Dialogues. Cambridge: Legal Fiction Series, 2018. – 238 b. – B. 174.

2. Barrow, K. Speech, Silence and Ambivalence in Legal Thrillers. New York: Judicial Narrative Press, 2016. – 226 b. – B. 163.

3. Donahue, L. Justice and the Self in Turov’s Fiction. London: Literary Legal Studies, 2017. – 215 b. – B. 152.

4. Anderson, M. Law, Power, and Moral Crisis in Presumed Innocent. Oxford: Critical Law and Ethics Review, 2019. – 204 b. – B. 189.

5. Morrison, E. Legal Language and Moral Uncertainty in Turov’s Presumed Innocent. Oxford: Legal Fiction Studies, 2017. – 215 b. – B. 137.

6. Kendell, R. Dialogues of Guilt and Innocence in Courtroom Narratives. Cambridge: Law and Literature Press, 2018. – 222 b. – B. 155.

7. Haynes, J. Gender, Voice and Silence in Legal Thrillers. London: Feminist Legal Theory Review, 2020. – 238 b. – B. 143.

8. Ellison, C. Psychological Minimalism in Contemporary Legal Fiction. New York: Narrative Justice Publishing, 2016. – 209 b. – B. 167.

9. Lindstrom, J. Legal Speech and Ambiguity in Presumed Innocent. New York: Judicial Fiction Studies, 2017. – 218 b. – B. 184.

10. Katz, R. Voiceless Presence: Carolyn Polhemus and the Narrative Function of Absence. Cambridge: Gender & Narrative Press, 2018. – 211 b. – B. 166.

11. Chesney, A. Dialogues of Distance: The Language of Marriage in Legal Thrillers. Oxford: Literary Justice Review, 2016. – 224 b. – B. 153.

12. Montgomery, B. Modal Speech and Truth Deferral in Turov’s Prose. Boston: Semantics and Fiction Institute, 2019. – 203 b. – B. 192.

13. Huxley, R. The Language of Ambiguity: Dialogic Structures in Legal Thrillers. Oxford: Narrative Justice Series, 2016. – 214 b. – B. 145.

14. Ellis, G. Reconstructing the Female Voice in Courtroom Fiction. Cambridge: Gender and Law Review, 2018. – 226 b. – B. 179.

15. Blume, A. S. Ontological Guilt and the Courtroom Drama. New York: Ethics in Literature Press, 2021. – 221 b. – B. 192.

16. Feldman, A. Trial and Interiority: The Dialogic Turn in Legal Thrillers. Oxford: Legal Narrative Studies, 2020. – 224 b. – B. 191.

17. LeClair, T. Language and Uncertainty in Legal Thrillers. Oxford: Legal Narrative Press, 2019. – 227 b. – B. 147.

18. Atkinson, R. Silence and Meaning in Postmodern Fiction. London: Ethics in Literature Series, 2018. – 216 b. – B. 165.

Downloads

Submitted

2025-08-09

Published

2025-08-10

How to Cite

Niyazov, R. (2025). CHARACTERISTICS OF DIALOGUES AND CHARACTERISTICS OF CHARACTERISTICS OF CHARACTERISTICS IN SCOTT TUROV’S NOVEL "PREZUMPTION OF INNOCENCE". Ижтимоий-гуманитар фанларнинг долзарб муаммолари Актуальные проблемы социально-гуманитарных наук Actual Problems of Humanities and Social Sciences., 5(8), 142–148. https://doi.org/10.47390/SPR1342V5I8Y2025N22