SPECIFICITY OF RHYTHMIC ORGANIZATION PROSE OF MARINA TSVETAEVA
DOI:
https://doi.org/10.47390/SPR1342V3SI9Y2023N32Keywords:
rhythmic organization, autobiographical prose, emotional background, rhythmic pattern, syntactic repetitions.Abstract
The article is devoted to the consideration of the problem of the peculiarities of the poetics of Marina Tsvetaeva’s prose works. Particular attention is paid to the rhythmic specificity of prose. An attempt has been made to determine the plot-compositional rhythmic structure of the works: essays, memoirs.
References
Канищева Е. В. Поэтика прозы М. Цветаевой // Филологические науки 2013. № 3. С. 184-192.
Цветаева М. И. Собр. соч.: в 7 т.– М.: Эллипс, 1994.
Чигинцева Т.А. Взаимодействие стихового и прозаического дискурсов в творчестве Дениса Осокина. // Вестник ЮУрГУ. 2015. Т. 12, № 3. С. 23 –26 URL: file:///C:/Users/%D0%90%D0%B3%D0%B0%D1%82%D0%B0/Desktop/vzaimodeystvie-stihovogo-i-prozaicheskogo-diskursov-v-tvorchestve-denisa-osokina.pdf.
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Published
2024-01-12
How to Cite
Ergasheva, A. (2024). SPECIFICITY OF RHYTHMIC ORGANIZATION PROSE OF MARINA TSVETAEVA. Ижтимоий-гуманитар фанларнинг долзарб муаммолари / Актуальные проблемы социально-гуманитарных наук / Actual Problems of Humanities and Social Sciences., 3(S/9). https://doi.org/10.47390/SPR1342V3SI9Y2023N32
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