THE TRADITION OF SATIRE IN NEW UZBEK POETRY

Authors

  • Gulrukhbegim Ravshanova

DOI:

https://doi.org/10.47390/SPR1342V4I1Y2024N30

Keywords:

humor, criticism, satire, humor, poetic construction, pathos, theme, idea, criterion, motive of laughter and crying.

Abstract

First of all, in the series of socio-cultural life, the greatest  genre-compositional integrity appeared in the works of the creators of the Enlightenment period, and later they began to be further refined in strict principles. Starting from the individual character and then connecting to the general mood, it prepared the ground for updating the philosophical-aesthetic criteria of humorism. A strong critical-psychological mood began to evolve into the improvement of comic works. This led to the emergence of new genres in literary directions.These are the aspects that we are studying in the new Uzbek poetry, and in determining the poetic interpretation of the satirical phenomenon, the terminological meanings of the concepts such as theme, problem, idea, and pathos in the satirical poetry have been clarified.

References

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Published

2024-01-31

How to Cite

Ravshanova, G. (2024). THE TRADITION OF SATIRE IN NEW UZBEK POETRY. Ижтимоий-гуманитар фанларнинг долзарб муаммолари / Актуальные проблемы социально-гуманитарных наук / Actual Problems of Humanities and Social Sciences., 4(1). https://doi.org/10.47390/SPR1342V4I1Y2024N30