CHRONOLOGY AND CREATIVITY: A COMPARATIVE STUDY OF ENGLISH AND UZBEK ENLIGHTENMENT DRAMA

Authors

  • Dilbarxon Asqarova

DOI:

https://doi.org/10.47390/SPR1342V4SI5Y2024N13

Keywords:

Enlightenment drama, English literature, Uzbek literature, chronology, creativity, comparative analysis, dramaturgy, temporal themes.

Abstract

This research examines the intersection of chronology and creativity in the dramaturgy of the English and Uzbek Enlightenment periods. Through comparative analysis, it investigates how temporal elements are integrated into the narrative structures and thematic constructs of plays from both cultures. The study elucidates the distinct and overlapping artistic methodologies for depicting time, offering broader cultural and philosophical insights of the Enlightenment era. By analyzing representative works, this article enhances our comprehension of the period's dramaturgy and its impact on subsequent literary progressions.

References

Sitter, John. The Cambridge Companion to English Literature, 1650-1740. Cambridge University Press, 1998.

Akhmedov, Anvar. Uzbek Classical Literature. Tashkent: Sharq, 2000.

Watt, Tessa. Cheap Print and Popular Piety, 1550-1640. Cambridge University Press, 1991.

Submitted

2024-07-31

Published

2024-08-05

How to Cite

Asqarova, D. (2024). CHRONOLOGY AND CREATIVITY: A COMPARATIVE STUDY OF ENGLISH AND UZBEK ENLIGHTENMENT DRAMA. Ижтимоий-гуманитар фанларнинг долзарб муаммолари Актуальные проблемы социально-гуманитарных наук Actual Problems of Humanities and Social Sciences., 4(S/5). https://doi.org/10.47390/SPR1342V4SI5Y2024N13